“Georgia Fields dreams in fantastic Technicolor. ★★★★”

– Sydney Morning Herald

Singer-songwriter Georgia Fields conjures a mesmerising spell of art-pop alchemy in her dynamic live show.

The sonic shapeshifter blends electric guitar and mini-synth with live-looped percussion, beatboxing, samples, and vocal harmonies to create complex arrangements in real time. As Frankie Magazine says: “she paints entire worlds with her tunes”.

Georgia’s melodic, lyric-driven songs and genre-bending sound have built a strong presence on national radio and media, with airplay on triple j, Double J, Triple R, PBS FM, and community radio across the country. She has appeared on SBS’s cult favourite TV show RocKwiz, and has been featured in Frankie Magazine, Ramona Magazine, Domain, The Age, Beat, The Music, Tone Deaf, and Rhythms Magazine.

Georgia has toured her dynamic solo live looping show across the country, including supports for artists including Katie Noonan, Pierce Brothers, Didirri, Ella Hooper, Clare Bowditch, Mia Dyson, and Frente. Festival appearances include Woodford Folk Festival, Queenscliff Music Festival, Twilight Sounds, St Kilda Festival, Melbourne Fashion Week, Mullum Folk Festival (NSW), Majors Creek Festival (NSW), and Festival of Voices (Tasmania).

Georgia’s third album Hiraeth was independently released in 2022 to critical acclaim. The Australian have praised the “meticulously crafted art-pop arrangements”, with Beat Magazine declaring “her weightless vocal makes us feel airborne.”

Contact:

georgiafieldsmusic@gmail.com
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@georgiafieldsmusic
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@georgiafieldstv

  • Age: Primarily Millennial (35–40yo), with strong crossover into older Gen Z audiences (25–34yo), and a smaller but engaged Gen X listenership (45–55yo).

    Gender: Slightly female-leaning audience, 60/40.

    Listening style: Attentive, lyric-driven listeners who value storytelling, emotional depth, and rich sonic worlds.

    Genre alignment: Fans of alt-pop, indie, and folk-adjacent songwriting, such as Sarah Blasko, Missy Higgins, Gordi, Gretta Ray, Stella Donnelly, and Ella Hooper.

    Performance preferences: Intimate venues, seated concerts, or relaxed outdoor festivals.

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Festivals and Venues played:

Hamer Hall, Arts Centre Melbourne, VIC

Woodford Folk Festival, QLD

Queenscliff Music Festival, VIC

ACMI (Australian Centre for the Moving Image), VIC

The Corner Hotel, VIC

St Kilda Festival, VIC

Newstead Live Festival, VIC

Apollo Bay Music Festival, VIC

Twilight Sounds, VIC

Melbourne Recital Centre (Potter Salon), VIC

Melbourne Fashion Week, VIC

Melbourne Music Week, VIC

National Gallery of Victoria, VIC

Brisbane Powerhouse, QLD

Mullum Music Festival, NSW

Majors Creek Festival, NSW

Festival of Voices, TAS

Press Quotes

Press Quotes

“Fields' vocals float hypnotically, while meticulously crafted art-pop arrangements ruminate beneath. Fields presents each vignette of Hiraeth with vivid emotion, and a certain electricity runs across each line... Feels like a moment of arrival.” ★★★★

– The Australian

“Her weightless vocal makes us feel airborne... Fields’ latest record Hiraeth beautifully encapsulates the rich complexity of the human experience.”

– Beat Magazine

“Beautifully composed and delivered between gritty and dainty moments... Hiraeth is a testament to Georgia’s abilities as a songwriter and a vocalist.”

– Pilerats

“A magnetic showing of fearless art-pop and searing vulnerability.”

– Ramona Magazine

“A powerful pop voice that’s at once forceful and elegant.”

– Tone Deaf

“Intelligent, seductive and touched by a vividly-blooming magic.”

– Autumn Roses

“Georgia Fields dreams fantastic Technicolour. Her subconscious teems with breathless stuff about flying, falling and lunar possession. Darkly-coded collisions of fairytale and myth… Plain-speaking love songs swelling with strings to make George Martin weep... Irrepressible pop.” ★★★★

– The Sydney Morning Herald

“A voice you simply cannot un-hear… The evocative songstress paints entire worlds.”

– Frankie Magazine

“It’s in poised vocal and muscular percussion where Fields is in her element – when she’s off the leash yet achieving the balance of melancholy.”

– Rhythms Magazine

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